Cameron Bailey

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David Cronenberg's CRIMES OF THE FUTURE is not for everybody. But it's definitely for you if you're into . . . art cinema music viggo #kstew the luminous léa sedoux seeing the latest cool shit 🫀🫀🫀🫀🫀 Opens today at the Lighttiff.net/events/crimes-…V21db
Inside man: Crimes of the Future finds Director David Cronenberg slicing into his bodily obsessions cbc.ca/news/entertain…
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Lovely family trip to Paris last month. Continuing to square it with this (not) news story: The Cost of Haiti’s Freedom nytimes.com/2022/06/03/pod…
Don't miss this, Toronto. 100% great movies, and a new way to see them. tiff.net/films?series=i… twitter.com/adam_piron/sta…
A different look at Indigenous actors. Thanks, @adam_piron. Aspect Ratio: Indigenous Actors Beyond the Expected, with Adam Piron | T... youtu.be/U8FY9dgTyS4 via @YouTube
"Brings the past to life with a vividness and an immediacy that seem wrenched from Davies’s very soul." Proud to have premiered BENEDICTION at #TIFF21. Now playing: tiff.net/events/benedic… twitter.com/tnyfrontrow/st…
Today I learned that Brian Linehan is in David Cronenberg’s 1970 CRIMES OF THE FUTURE.
"The Canadian icon is at the absolute top of his game here."🫀twitter.com/HertzBarry/sta…3
petite maman has a runtime of one hour twelve minutes and for that duration it took me out of myself and somehow restored me to myself. also it made me cry? but in the good way? which, after the last month, felt like a balm. anyway. i recommend.
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Among many other great performances, Ray Liotta in SOMETHING WILD…
The North American premiere of CRIMES OF THE FUTURE has sold out. Didn't snag a ticket? Fear not, David Cronenberg's latest will return to TIFF Bell Lightbox starting June 3: bit.ly/3yL1lTd
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HAPPENING by @AudreyDiwan is poignant, pressing, essential filmmaking, writes @amil for @globeandmail. The film opens @TIFF_NET this Friday theglobeandmail.com/arts/film/revi…
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I’m biased but this is an essential short film.👇�twitter.com/criterionchann…3D
What do we need to move the Canadian film and arts sectors forward? Looking forward to adding my 2 cents this morning from the free city of Ottawa. twitter.com/CdnHeritage/st…
Steven Spielberg + Pam Grier for your Friday musings. twitter.com/PamGrier/statu…
When you just wanna vent. BFI video essay youtu.be/F1vXFj-wFh4 via @YouTube
And the amazing Anita Lee is joining @TIFF_NET as our Chief Programming Officer, overseeing all our programming and Industry work. Actual Fire Horse. If you know, you know.
The amazing @beth_janson is joining @TIFF_NET as our Chief Operating Officer, overseeing key $ and 📣. Brilliant change-maker. Quiet �nP
Hey, you know how it's #CanFilmDay? Check out SHORT FILMS, BIG IDEAS, a showcase of local work curated by Hoda Ali and Elysse Leonard. Brand new at digital @TIFF_NET, and all streaming for free right now. digital.tiff.net/collection/sho…
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Rosine Mbakam’s THE TWO FACES OF A BAMILÉKÉ WOMAN (2018) made my weekend.
Took a break from war news to watch THE BEST YEARS OF OUR LIVES. The film has gaps but Gregg Toland’s images still show precisely how war breaks its winners.
Discovered SLOW HORSES just in time for the long weekend.
Beautiful film when it was made, just over a year ago. Heartbreaking now. twitter.com/TIFF_NET/statu…
One night only on the Lightbox big screen, the way Odin would have wanted. twitter.com/TIFF_NET/statu…
TIFF members can see this for free.👇�twitter.com/rMeredithc/sta…PB
This is your reminder to go see Martin Edralin's wonderful, heartbreaking, hilarious feature debut ISLANDS, opening @TIFF_NET tonight, @VIFFest and @WFGCinematheque this Friday. twitter.com/globeandmail/s…
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Congratulations, SCARBOROUGH on your #CanadianScreenAwards wins! Game-changing work by @ShashaNakhai, Rich Williamson, @theloudlady and the whole team.
New York City truly was a trip. #TIFF22 looking even brighter, and wilder.
Last morning in NYC means breakfast at Veselka, the 🇺🇦 institution I first visited in the 90s. Back then it was the last stop in a long night out. Today it looks like an outpost of resistanceaB
Massive thanks to @HertzBarry and the @globeandmail for recognizing people carrying the flag for film. The art, culture and business of movies in Canada is one way we feed our souls. twitter.com/globeandmail/s…
PORTRAIT OF A LADY ON FIRE 💜 LOVERS ROCK 🖤 THE WORST PERSON IN THE WORLD 💙 and now PARIS, 13TH DISTRICT ❤️ We're living in a time of great love stories. Just in timtiff.net/events/paris-1…NP2
Finally. Been waiting to drop this one on Toronto for almost a year. Hope you’re ready. ❤️‍🔥twitter.com/TIFF_NET/statu…s
Back in NYC for the first time in 2 years. The #TIFF22 road show begins.
I'm a collaborating curator on a cool exhibition opening this month at @agotoronto — relating home movies and personal documentation to art focused on capturing the everyday. If you're near Toronto, please visit! ago.ca/exhibitions/i-…
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Roy Andersson’s ABOUT ENDLESSNESS is hardly that: 78’ ⏲ digital.tiff.net/film/about-end…
And, at a sprawling 98’, Wong Kar-wai’s IN THE MOOD FOR LOVE.
THREE COLORS: BLUE d. Krzysztof Kieslowski: 94’
BLACKBOARDS d. Samira Makhmalbaf: 85’
MEDICINE FOR MELANCHOLY d. Barry Jenkins: 88’
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