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The New Yorker
Read about this week’s cover, “Moving Day,” by Bruce McCall:
Detailed portraits of one of western New York’s most ubiquitous subjects—snow:
Tables for Two: Shauna Lyon reviews the Eddy, in the East Village
Watch “Me + Her,” a 2014 #Sundance short film set in a world made of cardboard: #TNYShorts
Slide Show: Photographer David Goldblatt’s distinct look at apartheid-era South Africa
In this week’s issue, Adam Gopnik reviews Michel Houellebecq’s new novel:
As #Sundance2015 kicks off, watch “Yearbook,” from the 2014 official selection #TNYShorts
.@JebBush says he cares about school reform. What does his record show? #longreads
The photographer Jake Lindeman spent this past spring living in Cuba. A look at his work:
The many responses to the #SOTU address, in today’s daily cartoon:
Ahead of tonight’s #SOTU address, revisit David Remnick’s portrait of the President:
A look at George Steinmetz’s photographs of New York City from above:
A look at Steve Schapiro’s powerful, rarely seen photographs of the Selma-to-Montgomery march:
Nadia Sablin’s exploration into the daily lives of her two unmarried aunts, who live together:
.@tnyfrontrow on the silent masterworks at this year’s New York Jewish Film Festival:
A cartoon by Julian Rowe, from this week’s issue. For more:
Slide Show: Douglas Levere captures the intricacies of individual snowflakes
Confessions of a Google Glass Explorer: A story from the archive, by @Shteyngart
At Via Carota, there are no reservations and no corner booths for visiting oligarchs:
An illustration by @tomgauld on the four undramatic plot structures of a book:
An early look at next week’s cover, by Barry Blitt:
“I am worse than the global food crisis. Tomorrow’s no good.” A new @tnyshouts, by @scoutstout