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Museum Nerd

Olga looks a bit like a Ghostbusters-era Sigourney Weaver, no? #Picasso #MetUnfinished #MetBreuer
Finally made it to the #MetUnfinished show at The Breuer. I've always loved this Picasso.
Huge congrats to Kim Drew (@museummammy) who is literally the Talk of the Town in this week's New Yorker! Mad props!
"InFrame" Vimeo short films on young artists like Cristina Cordova, Zun Lee, Solmaz Saberi, & Jessica Lehrman:
Carole Eisner making ugly I-beams beautiful in this 2005 sculpture "Zerques," in @prospect_park.
Eisenman hilariously titles this one "Spring Fling." What's the reference to again? I'm spacing.
I love that previous painting & this Guston reference, "Selfie," both by Nicole Eisenman. NuMu show closes Sunday!
"Were-artist" has a an awesome high impasto where the were-artist is painting on the canvas in the painting. Yay.
Isn't that Philip Guston at @metmuseum also called "Night Studio" like this Nicole Eisenman at @newmuseum? Love dat.
"From Success to Obscurity" by Nicole Eisenman at @newmuseum. For some reason this just cracked me right up.
The former Globe Grain & Milling Co. space that Hauser Wirth & Schimmel is fascinating. Unrelated: Hi @cmonstah!
Apparently galleries in LA have a bit more space to play than galleries in NYC.
Louise Bourgeois was, in fact, once young!
Finally made it to the amazing Bradbury Building (featured in Blade Runner). Thanks for the #LAtip @alexiskmanheim!
I like Landon Graves's little hidden surprises, like the little bug on the wall in this installation.
My camera had trouble white balancing this Landon Graves environment at #victorimo gallery. Funky fun stuff.
A couple more by Clintel Steed at Life on Mars Gallery in Bushwick.
Something about the palette & paint application in this Clintel Steed work remind me of SF painter 'Jess.' @artEdna
I'm so grateful that @HauserWirth has preserved the free espresso bar from their inaugural Roth show.
This little 18x24" oil on paper is my favorite Guston in Schimmel's @HauserWirth show. So meaty.
Philip Guston working on semiotic chops in charcoal from '67—'69... building towards his awkward/elegant figuration.
Guess I respond more favorably to the humanity of Guston's pinky russets. Most of this work is overcast, yet active.
Paul Schimmel-curated Philip Guston show at @HauserWirth focuses on his '57—'67 transition from AbEx to figuration.
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