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Guggenheim Museum

Curator Sara Raza (@punkorientalism) was charged with diversifying our permanent collection with art from the Middle East and North Africa for the third phase of the #GuggUBSMAP initiative. “It was quite a challenge to bring together a study of these places that are so complex so I wanted to be driv
How #GuggUBSMAP curator Sara Raza diversified our collection with global art—via @artnet: gu.gg/4nduZM
For #ThrowbackThursday—explore archival ephemera from the art-theory magazine "The Fox." Though it ran for only three issues from 1975–76, in its short span the magazine contained some of the sharpest art writing of the period, and articulated new modes of artistic collaboration that shifted focus a
#TBT—Read how the short-lived 1970's art-theory magazine "The Fox" shaped conceptual art: gu.gg/4ndl8f
Artist #YvesKlein was born on this day in 1928, known for his patented International Klein Blue (IKB). For Klein, IKB was a shade of blue that effectively unlocked the endless void of space, eradicating the division of earth and sky. This installation view shows his 1957 "Pure Blue Pigment" re-creat
#YvesKlein was born on this day in 1928, known for his patented International Klein Blue: gu.gg/4ncTqN
In selecting artists, I explored the region as a complex and fragmented jigsaw puzzle—#GuggUBSMAP curator Sara Raza
The Middle East & North Africa exist at the intersection of origins, science & history—#GuggUBSMAP curator Sara Raza
"But a Storm Is Blowing from Paradise" presents multimedia works by 17 artists: gu.gg/4naMCx #GuggUBSMAP
FREE @Wikipedia #editathon & talk with #GuggUBSMAP artists Ala Younis & Ahmed Mater on 4/30: gu.gg/4n72Hl
Final day to see “Peter Fischli David Weiss: How to Work Better,” which gathers key examples from each of the Swiss artist duo’s most significant series, including films and videos, photographs, sculptures, slide shows, and installations. With deadpan wit and a playful but probing spirit, #FischliWe
Final day to see #FischliWeiss—featuring 300+ sculptures, photos, & videos by the Swiss duo: gu.gg/4n9InM
To our followers in Bilbao, "Windows on the City: The School of Paris, 1900–1945" is now on view at @MuseumGuggenheimBilbao. In the early 20th century, Paris was the capital of the avant-garde as artists from around the world settled in the City of Light, where they created new forms of art and lite
Now on view @MuseoGuggenheim in Bilbao—Windows on the City: The School of Paris, 1900-1945: gu.gg/4n77jO
“Changes in geography and nationality leave traces in everything from costume, cuisine, dance, music, and other cultural customs and practices, to the styling of family names,” says Dr. Alexandra MacGilp (@alimacgilp). On our #GuggUBSMAP blog, she looks at how these changes are affecting artistic an
For our #GuggUBSMAP blog, Dr. Alexandra MacGilp surveys curatorial initiatives in the UAE: gu.gg/4n74ZT
American artist #CyTwombly was born this day in 1928. Enjoy "Untitled" (1961) from our collection, which like the rest of his paintings of the early 1960s consists of a white canvas upon which he has applied scribblings and scratches in a furious flurry of crayon, pencil, and paint. Learn more at gu
Artist #CyTwombly was born this day in 1928. Enjoy "Untitled" (1961) from our collection: gu.gg/4n49WC
To our followers in Venice, Italy, "Imagine. New Imagery in Italian Art 1960–1969" is now on view at @guggenheim_venice. In Italy during the 1960s, at the height of the economic boom, artistic experimentation flourished at an unprecedented pace and intensity. The theme of the exhibition is how the f
Now on view @GuggenheimPGC—"Imagine. New Imagery in Italian Art 1960–1969": gu.gg/4n0kNK #ImaginePGC
Beatriz Colomina talking about couples and architecture at #ittakestwo @Guggenheim
Retweeted by Guggenheim Museum
The museum is open until 4am for It Takes Two & #FischliWeiss—tickets available at the door: gu.gg/4n0eH4
View from the top of our late-night program It Takes Two celebrating paired collaboration inspired by #FischliWeiss.
Saturday agenda: "artistic teamwork" and after-hours viewing of #FischliWeiss—via @observer: gu.gg/4mZIs9
 
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