Senses of Cinema

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"Magee could be frantic and frenzied in both his characters for films and his roles for the stage..." In Issue 101, Mark Lager examines the career of actor Patrick Magee: buff.ly/3PKwfAr
"Desai was the Bollywood post-modernist, playing with narrative, genre, pastiche, parody, bathos, spectatorship and star personae." Darragh O'Donoghue looks at the career of filmmaker Manmohan Desai buff.ly/3OnVV4Z
"... the spectator is pushed against the landscape, invited to feel the heat and dry stillness of the outback, as well as the isolation..." Caitlin Wilson considers spectator discomfort and phenomenological approaches to viewing Australian cinema: buff.ly/3B2FpUQ
In our Annotations with @SensesofCinema, Winston Wheeler Dixon discusses Sergie Parajanov's SHADOWS OF FORGOTTEN ANCESTORS (1965): sensesofcinema.com/2022/cteq/shad… The films screens on 35mm tonight, 7pm Wed 20 July at @ACMI as the opening of 'Masterpieces of Ukrainian Cinema'.
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""Any discussion of caste representation in mainstream Hindi cinema throws up the names of just a handful of films..." In Issue 101, @KishoreVikrant examines the caste blindness of Bollywood NRI genre films: buff.ly/3zirCIJ
"I don’t know if you notice this, when you’re finishing a film and maybe still have 10% left to do, and your brain starts thinking about the next film almost to distract you from the hard work..." Brigitta Wagner speaks with filmmaker Ashley McKenzie buff.ly/3AXiXwf
From 20 Jul – 3 Aug at @ACMI, our season Masterpieces of Ukrainian Cinema showcases some of Ukraine’s greatest films of all time. This Wed 20 July, 7pm at ACMI, see SHADOWS OF FORGOTTEN ANCESTORS (1965) on 35mm, followed by ATLANTIS (2019). Memberships: acmi.net.au/cteq#membership
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I'm always browsing for film writing. A revisiting of Jia Zhangke's "Still Life" in @SensesofCinema reminds me to attend to absences rather than just cling to loss. sensesofcinema.com/2022/feature-a…
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Wheeler Winston Dixon examines the career of Michael Caine, "one of the most durable actors in British and American cinema" buff.ly/3OdBJ5E
In Issue 101, Alfio Leotta & Missy Molloy discuss Jane Campion's THE POWER OF THE DOG and the ways the film evokes questions about national cinema, genre and masculinity buff.ly/3Rv1Esv
📢 Deadline approaching! Reminder that our call for submissions for the special dossier on nonfiction film in the territories of former Yugoslavia closes on *July 15*! This dossier is scheduled for publication in Issue 103! See our call for proposals page for more details:twitter.com/SensesofCinema…L
#Icónica10años de cine latinoamericano Aquí un panorama crítico amplio de la escena del cine chileno. Tamién es parte del dossier que hicimos con @SensesofCinema. bit.ly/3PqNiHR
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#Icónica10años de cine latinoamericano Cerramos el dossier compartido con @SensesofCinema con una conversación entre @migamedios, @davidhpalmar y @FHuichaqueo. La intención era doble: escuchar voces indígenas y cuestionar la idea de Latinoamérica. bit.ly/3uJltm2
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"In Residue, the visual and sonic image share a disjunctive relationship..." In Issue 101, Vedant Srinivas discusses Assam-based experimental media practitioners: Desire Machine Collective, framing their work in Deleuzian terms buff.ly/3PoAzVX
In our Annotations with @SensesofCinema, Hayley Scanlon suggests Shimizu's final silent film, A HERO OF TOKYO argues for liberal modernity during a chaotic time: sensesofcinema.com/2021/cteq/a-he… The film concludes our landmark Hiroshi Shimizu season tonight, 9:45pm Wed 13 July at @ACMI.
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#Icónica10años de cine latinoamericano La increíble diversidad del cine argentino reciente se puede abordar desde tres ejes: territorio, lenguaje y medialidad. Parte del dossier que hicimos con @SensesofCinema, a cargo de @andermann_jens. bit.ly/3yTWw9X
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New in Issue 101, @UttaranDasGupta examines the rise of social message films in Bollywood since 2014 buff.ly/3O4JSZX
In our Annotations with @SensesofCinema, Danica van de Velde explores "the power of the senses" in Shimizu's THE MASSEURS AND A WOMAN (1938): sensesofcinema.com/2021/cteq/she-… The film screens on our final night of 'Hiroshi Shimizu: Forgotten Master', 7pm this Wednesday 13 July at @ACMI.
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"The question is, how do we visualise the things that we’re interested in?" In Issue 101, Madeleine Collier @medialeine chats with Beny Wagner & Sasha Litvintseva about their fascination with perception’s role in shaping history buff.ly/3OR987n
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