Senses of Cinema

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For our annotation in @SensesofCinema, Sandra E. Lim looks into the narrative simplicity and political complexity of Abbas Kiarostami's WHERE IS THE FRIEND'S HOUSE?: sensesofcinema.com/2020/cteq/wher… The film opens our Kiarostami season on Wed 8 June, 7pm at @ACMI.
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One of the several new additions to our Great Actors profiles in Issue 101, Joy McEntee takes a look at the career of the "chronically underestimated" Angela Lansbury buff.ly/3tcIc9n
New in Issue 101, Tara Judah @midnightmovies on IFFR 2022 buff.ly/3MbpG7X 🎞️ THE PLAINS (David Easteal, 2022)R
For the 101st issue of @SensesofCinema, I had the privilege to write a few words on the films that constituted the 'profiles' section (devoted to individual artistes) at the 68th edition of the @kurzfilmtage. sensesofcinema.com/2022/festival-… #rainerkomers #sohrabhura #schedelbauer
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New in Issue 101, @SavinaPetkova speaks with writer-director Michel Franco, chatting about "visual style and political stakes, the push and pull between filmmaker and audience, death and the dark corners of the human psyche." buff.ly/3x6Htss
New in Issue 101 for our Bollywood dossier, guest editor Darragh O’Donoghue reflects on Bollywood and Western Cinephilia: buff.ly/3zc0w6e Still | Awaara (dir. Raj Kapoor, 1951)
In our Annotations with @SensesofCinema, Danica van de Velde explores the "filmic architecture of dissonance" in Antonioni's L'ECLISSE (1962): sensesofcinema.com/2022/cteq/a-ge… See the film with us on the final night of our Monica Vitti season, 7pm Wed 1 June at @ACMI.
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thrilled to be in @SensesofCinema’s wonderful new issue with a profile of Michel Franco: we talk about why he’s not a musician, his filmography, and vulnerability. thank you team and @midnightmovies, it’s a dream come true!: 👉sensesofcinema.com/2022/interview…Fo
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The new issue of @SensesofCinema is out and it's another corker, y'all. Get reading! twitter.com/SensesofCinema…
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"Each in their own way, these films asked us to reconsider the sensorial and political substance of the journeys we take, apparatuses we use, and homes we build over the course of our daily lives." In Issue 101, Madeleine Collier reports on the 51st @IFFR buff.ly/3LZifR0
For our Annotations in @SensesofCinema, @tiiakel covers how Monica Vitti's comic performance in JEALOUSY, ITALIAN STYLE plays upon her identification with Antonioni: sensesofcinema.com/2022/cteq/the-… See the film on 35mm for the final night of our Vitti season, 9:15pm Wed 1 Jun at @ACMI.
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“The Act of Filming is an Inner and Physical Journey in Itself”: Interview with Helke Misselwitz for @SensesofCinema by Víctor Paz sensesofcinema.com/2022/interview… Maravilla 🤩 #HelkeMisselwitzz#PlayDoc20222#RDAA#DEFAA#Tuiii
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Delighted to have contributed an annotation on @anuragkashyap72's fascinating film Gulaal (2009) for @SensesofCinema's Bollywood dossier. I briefly discuss the film's engagement with themes of modernity/tradition pluralism/communalism. Check article: sensesofcinema.com/2022/bollywood… twitter.com/SensesofCinema…
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Happy to share that my article "A Devdas For Every Generation" is now available to read as part of @SensesofCinema's Bollywood Issue! sensesofcinema.com/2022/bollywood…
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Hello folx, my essay on Bollywood, culture industry, and nationalism is out now in Issue 101 of @SensesofCinema Lights, Camera, Nation-State!: Bollywood’s choreography of India’s national public consciousness – sensesofcinema.com/2022/bollywood…
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Delighted to share my piece on Bollywood's "social message" films in the wonderful @SensesofCinema. Please check out their current dossier on Bollywood. sensesofcinema.com/2022/bollywood…
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Issue 101 - OUT NOW! We're breaking Bollywood out of its peripheral position in Western film criticism through a special dossier on Bombay cinema. Plus the usual features, festival reports, interviews & more. Enjoy! buff.ly/3LVNZqf PADMAAVAT (dir. Sanjay Leela Bhansali)
In our Annotations with @SensesofCinema, @filmboyd places RED DESERT in the context of Italy's Economic Miracle, with Monica Vitti's performance communicating the era's malaise: sensesofcinema.com/2022/cteq/il-d… We screen the film in our Vitti season, 9:15pm Wed 25 May at @ACMI.
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In our Annotations with @SensesofCinema, David Melville explores how Monica Vitti's portrayal of the titular heroine in MODESTY BLAISE "transcends our most basic assumptions about sex and gender": sensesofcinema.com/2022/cteq/you-… The film opens our Vitti season, 7pm Wed 25 May at @ACMI.
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