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Whitney Museum

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Also opening tomorrow (for the U.S. premiere!): David Hockney: The Jugglers. #Hockney pic.twitter.com/7HoEnkxd14
The press preview is over! Thanks for following along. Hopper Drawing opens to the public tomorrow. #Hopper
In 1946 #Hopper said, "What I wanted to do was paint sunlight on the side of a house." In 1963 he finally did. pic.twitter.com/BJBP1jIwkC
He returned to the solitary figure in a room again and again over his entire career. #Hopper pic.twitter.com/GkQg8KpYzR
From the time that #Hopper got his 1st car, the road developed into a central motif. Here's "Gas" and its studies. pic.twitter.com/qtqEOba5AM
The perspective & subject of "Office at Night" was inspired by #Hopper's many rides on New York's elevated trains. pic.twitter.com/s341aMbG2a
All 52 sheets for "New York Movie" are on view here. #Hopper pic.twitter.com/ZVrunAnS20
"New York Movie" is based on 4 Broadway-district theaters which might have been why he made so many studies. #Hopper pic.twitter.com/xJWD8Dkr67
The seminal painting was based on 88 Seventh Avenue but the building was torn down in 1939. #Hopper
"Early Sunday Morning" (1930) sitting on the original easel. It's a perfect fit! #Hopper pic.twitter.com/AUusqTxIet
Here's "Soir Bleu," his homage to French art and culture. #Hopper pic.twitter.com/cGqFq1wPJ7
The exhibition opens with two self portraits. They are the only mature ones in his oeuvre. #Hopper pic.twitter.com/NAhBBNo34t
Foster: The tension between working from the facts and improvising is a key element of #Hopper's artistic practice.
Curator Carter Foster: "Drawings are the connection tissues of his artistic practice...but he kept them private." #Hopper
"It's interesting to have 2 artists on view who rely on light so heavily." Curator Donna De Salvo on #Hopper and David #Hockney connection.
Director Adam D. Weinberg: "Hopper was not just a reporter, but a synthesizer." #Hopper pic.twitter.com/AzZuG04y9u
The press preview for Hopper Drawing is this morning! Follow along via #Hopper. pic.twitter.com/03n18eFAR8
TODAY: Member preview day for #Hopper Drawing from 12–6 pm. The exhibition opens to the public tomorrow. bit.ly/12TKZ2C
It's a doubly historic day for the Whitney: architect Marcel Breuer was born today in 1902. bit.ly/13IEHoO
"As with a line, every story needs a beginning." Read the entire story behind the design process of our new identity: bit.ly/165hUXY
Watch the “W” respond to works by Edward Hopper, Glenn Ligon & Chuck Close (and be sure to turn up your volume!): bit.ly/YWDDfk
Introducing the Museum's new graphic identity—designed by Experimental Jetset—featuring the “responsive 'W'”! pic.twitter.com/3Z6xknTVlO
Check back tomorrow, when we will reveal all! #WorkInProgress #MuseumSecrets
"They always say time changes things, but you actually have to change them yourself." -Andy Warhol #WorkInProgress pic.twitter.com/GUBE8pRkVK
Some big changes are afoot at the Whitney. Stay tuned! #WorkInProgress pic.twitter.com/QrdjwgIZX6
“It’s a portrait of NY from the 18th floor of the building.” T.J. Wilcox to @nytimesarts on In the Air, opening 9/19: nyti.ms/Z5xDmF
TODAY: Get a free poster—like O'Keeffe's iconic "Summer Days"—w/ purchases over $40 at the Museum Shop. #ArtMuseumDay pic.twitter.com/v9kKyExCIn
Artist Nate Lowman paying homage to Jay #DeFeo... loving the DJ! pic.twitter.com/8SBgKeYmNz
TONIGHT: See artist Nate Lowman's live action painting performance—an homage to Jay #DeFeo—during pay-what-you-wish! bit.ly/YOY4L1
Richard Artschwager! won @Art_Curators's honorable mention for 2013 outstanding monographic catalogue. Get your copy: bit.ly/11HUSVr
Attention moms & dads: There are still spots open for tomorrow's #IYOUWE stroller tour. Register now: bit.ly/12ybKuu
Reminder: You only have a few more weeks to see The Rose in person. Jay #DeFeo: A Retrospective is on view thru 6/2. bit.ly/YTjylW
Huge thanks to Graham Miles for his thoughtful answers. We're always happy to pass ?s along to staff, so reach out anytime. #AskTheWhit
GM: Make sure there is enough space. Place sandpaper tape on the floor. Fragile objects are put on pedestals & under vitrines. #AskTheWhit
Q: Can art handlers put any safeguards in place to make art less likely to be interfered with by the public? #AskTheWhit
GM: There will invariably be a # of ways to install something; it’s just a case of figuring out the safest possible way. #AskTheWhit (2/2)
GM: If it’s a complex work, then there will hopefully be a courier accompanying it, installation instructions, or photos. #AskTheWhit (1/2)
Q: How do art handlers know the right way to install an artwork (especially works with multiple components)? #AskTheWhit
GM: Sol LeWitt, Richard Tuttle, Paul McCarthy, Wade Guyton, and David Smith spring to mind. #AskTheWhit
Q: Is there an artist whose work you've particularly enjoyed installing? #AskTheWhit
GM: Working with artists. Working with artists. #AskTheWhit
Q: What is the best/most challenging aspect of being an art handler? #AskTheWhit
GM: We tend to install 1 exhibition at a time. For a 2D show, a crew of 6 would suffice. 8–10 for heavier/more complex 3D work. #AsktheWhit
Q: On average, how many art handlers does it take to hang an entire exhibition? #AskTheWhit
GM: When work increases in size, scale & weight the potential for injury increases, adding another layer of complexity. #AskTheWhit (2/2)
GM: The recent David Smith exhibition had some very large-scale sculptures that required the use of gantries & forklifts. #AskTheWhit (1/2)
Q: Other than Jay #DeFeo's “The Rose,” what is another challenging work you've installed? #AskTheWhit