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The New Yorker
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A look at Vittoria Mentasti's @instagram photos from the Dead Sea and its surrounding deserts: nyr.kr/1FkIGYf pic.twitter.com/cyqv2MgwXj
Bruce McCall discusses his cover for next week’s issue: nyr.kr/11LFb0N pic.twitter.com/BnWI0pmDlM
Arkady Bronnikov’s photographs helped decode Communist-era prison tattoos: nyr.kr/1xXmhjg pic.twitter.com/OfLHPtSZca
“Bill O’Reilly—the author at work.” Today’s daily cartoon by @dsipress: nyr.kr/1yX3sv0 pic.twitter.com/yB5yS7NL79
The photographer Jim Mangan offers a new perspective on Utah’s arid, mountainous landscape: nyr.kr/1yPz05H pic.twitter.com/KgYWv10Sqy
Stephen Gill explores what happens when film negatives are processed in energy drinks: nyr.kr/1yeipbW pic.twitter.com/0bEpHfnve2
This week, David Denby reviews “Rosewater,” Jon Stewart’s first film as a feature director: nyr.kr/1ydbMqe pic.twitter.com/oAOOgBEKcB
In this week’s issue, Anthony Lane reviews “Foxcatcher” nyr.kr/1yDwn78 pic.twitter.com/mtWmRNpPMd
For over a decade, Martin Schoeller photographed a range of famous characters for the magazine nyr.kr/14dxq4M pic.twitter.com/TCo8yInmET
.@soujorge brings his heartbreakingly emotive baritone to @BlueNoteNYC tonight: nyr.kr/1sshgIT pic.twitter.com/R7ZyvownL3
Jordan Sullivan approaches photos not as documents but as visual stories. A look at his work: nyr.kr/1oogfGj pic.twitter.com/Ffn9DPIViR