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The New Yorker
At Javelina, more than anything, the people wanted their queso. A review by @hannahgoldfield: nyr.kr/1bJvWms pic.twitter.com/C2bs1mCvvp
In a new take on taxidermy, Christopher Marley turns reclaimed animals into art: nyr.kr/1FaE49d pic.twitter.com/wWIVcNyIY9
In this week’s issue, @eosnos profiles Xi Jinping, China’s most authoritarian leader since Mao nyr.kr/1DjSmHg pic.twitter.com/NuTSMjDfVh
In Assaf Evron’s series “Visual Pyramid After Alberti,” Renaissance perspective meets the Xbox nyr.kr/1FN1kJU pic.twitter.com/IYRgrKcdZ0
The musical “Fun Home,” based on @AlisonBechdel’s graphic memoir, comes to @CircleBroadway: nyr.kr/1bJv7tM pic.twitter.com/CwyFpWSyon
In this week’s issue, Jonathan Franzen considers the other cost of climate change: nyr.kr/1DjSzdj pic.twitter.com/Vx45E3lxZ0
This week’s cover, “Everybody Who’s Anybody,” by @Cartergoodrich2: nyr.kr/1DjSG8W pic.twitter.com/VwOHvyU6Ji
This NYer cover was drawn by an artist who now has amnesia. Here's a lovely profile of her: nyr.kr/1G497oX pic.twitter.com/7COeO2ohNr
Retweeted by The New Yorker
A cartoon by Edward Steed, from this week’s issue. For more: nyr.kr/1IipayG pic.twitter.com/5PqyZxrPmA
"Each of his readers reads him as a personal secret." @tejucole on Tomas Tranströmer (2011): newyorker.com/books/page-tur… pic.twitter.com/xxiiyL7CuA
Retweeted by The New Yorker
There has been some discussion about @lenadunham’s comedic piece in this week’s issue. David Remnick has this to say: pic.twitter.com/bxogvBSTCq
Anthony Lane reviews the new Noah Baumbach film, “While We’re Young” nyr.kr/1CdzhCR pic.twitter.com/KGx6AdsCdK
A short film about Mexico’s forty-three missing students, based on the work of @MattBlack_Matt nyr.kr/1FM1DZ1 pic.twitter.com/8AudhdSkVD
.@MattBlack_Matt’s portraits of life in Mexico’s poorest state since 43 students went missing: nyr.kr/1FM5hSo pic.twitter.com/QETo8Ni4oN
This week, Hilton Als reviews four new plays about women: nyr.kr/1CZe7Mj pic.twitter.com/lA6n89SZfe
“There is a complicated culture of silence that surrounds adjuncting,” @carmenmmachado writes: nyr.kr/1LYunRS pic.twitter.com/1qWMTMSY2e
On “Future Brown”: “The best songs tend to treat their inspirations with irreverence.” nyr.kr/1Bp6SpO @huahsu pic.twitter.com/Bu59uL6L8M
This week, the @studiomuseum opens a jam-packed survey of Trenton Doyle Hancock’s work: nyr.kr/1xd5UBA pic.twitter.com/ihTDXKJ2xD
A profile of an artist with amnesia who clings to her identity by drawing nonstop: nyr.kr/1B8aZY6 pic.twitter.com/695lmoUDzp
A Polish street photographer’s take on urban life in Tokyo: nyr.kr/1L1MJRw pic.twitter.com/GFzX2GTZ2S