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The New Yorker
Anthony Lane reviews the new Noah Baumbach film, “While We’re Young”
A short film about Mexico’s forty-three missing students, based on the work of @MattBlack_Matt
.@MattBlack_Matt’s portraits of life in Mexico’s poorest state since 43 students went missing:
This week, Hilton Als reviews four new plays about women:
“There is a complicated culture of silence that surrounds adjuncting,” @carmenmmachado writes:
On “Future Brown”: “The best songs tend to treat their inspirations with irreverence.” @huahsu
This week, the @studiomuseum opens a jam-packed survey of Trenton Doyle Hancock’s work:
A profile of an artist with amnesia who clings to her identity by drawing nonstop:
A Polish street photographer’s take on urban life in Tokyo:
“The problem with Happy Ending is that you can’t eat a double entendre.” @ThatAmelia reviews:
.@ronnieo147 is snooker’s greatest player—and its most tormented. A profile by Sam Knight:
Photos by @MattBlack_Matt from Guerrero, Mexico, where 43 students disappeared 6 months ago
Retweeted by The New Yorker
A reporter’s journey to My Lai and the secrets of the past: #longreads
.@emilynussbaum on the bright-pink resilience of “Unbreakable Kimmy Schmidt”
“Bald men trigger a primal fear in him.” Dog or Jewish Boyfriend? A quiz by @lenadunham
This week, the violinist Leila Josefowicz plays John Adams’s latest piece: @goingson
The photojournalist @KatieOrlinsky accompanied Seymour M. Hersh on his journey to My Lai:
.@BorowitzReport: Disturbed Man Tries to Get Into White House (Photo by Alex Wong/Getty)
For an artist with amnesia, the world takes place through her pencil​:
This week’s cover, “Clinton’s Emoji,” by Barry Blitt: