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Three "preview" modes in @Illustrator 2015: 1) Outline, 2) Preview+GPU, 3) Preview+CPU. Use #3.
A convincing piece of nostalgia at Ludlow Blunt. Only the URL gives it away for sure.
Spotted at the @bkflea. The lettering is a cousin of (or precursor to) Copperplate Gothic.
On Pandora, just days after I saw the cover for the first time @TypographicsNYC. Early Paula Scher!
If you saw my talk & want to download this musical nuttiness, it's here:
Spotted by Reed, this "No Parking" reminds me of the Shatter typeface of Letragraphica fame.
The full word is "Center," but I liked the forbidding quality of this crop better.
A 19th century marker in Brooklyn's Green-Wood Cemetery, captured by H&Co's @JordanTBell.
Morphologically, these over-bracketed serifs are called Runics. A nice find near our office.
Christoph Niemann's "Sunday Sketches" are always the best part of the day.…
We worked with @iconwerk on the @cloudTypography iconography, knowing that designers would appreciate his wit.
A delightful icon for "save" by @iconwerk, as an alternative to the hackneyed floppy disk.
A (positively BANANAS) blackletter lettering template, "Gothique No. 20."
Typedetail, by @DesignJokes, diagrams our Obsidian typeface. (As a webfont, too!)
An unexpected design constraint: letters made of a matrix of coin-sized slots. Not bad!
Making a message immediate and energetic begins with choosing the right fonts:
Paul Lukas at @UniWatch has merchandised his thoughts about July 4th sports uniforms.
The folks at @trello, who make my favorite project management app, came to visit H&Co:
Nice to see Gotham Condensed ScreenSmart making an appearance at @epicurious — thanks!
A lovely illustration from "The Art of the Serif," by Father Catich.
"About the appearance of books in wartime:" — I've never run into this before.

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